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Last week I ripped through Claire Messud’s new novel (right
now Liz is saying “shiiiiiiiitttt!"). The
Woman Upstairs is a little piece of perfection; it’s a showstopper. [Dammit! I was going to write about this book next week! It's amazing.] In short, the novel is about a lonely woman who 'falls in love' with a family. Her relationship to them is all encompassing and awakens her sexually and artistically. The
book’s editor promised that this would read ‘like a house on fire,’ and I have
to agree, this was really difficult to put down, even more difficult to stop
thinking about. It’s a rare book that makes it nearly impossible to start
reading a different book, to move on.
This is one of those books.
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I think of Claire Messud in the same way I think about
Philip Roth, Jennifer Egan, Martin Amis, Marilynne Robinson, or Mary Gaitskill.
These are a handful of serious writers, really smart, serious writers capturing
exactly what is relevant in the world at that exact moment. These are the books
and these are the writers you really want to be discussing while guzzling that
bottle of wine at book group. Writers like Messud pack layer on layer of what
the kids in the 70’s called, ‘some deep shit, man.’
Hey, just realized that Clair Messud has written a couple of
novellas. Maybe we should do “Thirty Days of Novellas!” Liz?
[...Shut up Gianna.]
[...Shut up Gianna.]